I just want to leave a positive memory of setting an example and bringing our youth with us.

I'm definitely very careful about the things that I want to be a part of, but it's also important for me to get dance out there to more people.

Once I became a professional, maybe 19 or 20, I really started to try to figure out who I was, as a woman and as an individual.

Meeting Raven Wilkinson and having her as a mentor, it was that kind of support from the generations that came before me that helped to lift me up and give me the confidence to then be able to give back and bring other minorities with me on this journey.

The fact that I was African American was never addressed, and that allowed me to just be a student, like anyone else. I was not aware of how rare it was to be an African American, how rare it was to have four years of training under my belt, and how, even though I could imitate people and fake it, unprepared I was to become a professional.

For me, I was in school and I pushed myself to be a good student, just because that's the type of person I was, but I never had a connection to any of it. I don't think my brain functioned in a way that was at its height, when I was in school. I needed something like art to really value the way my mind works. I wasn't reaching my full potential by sitting in a classroom and reading from a book. My mind didn't work that way.

A lot of people think, "Oh I'm going to eat whatever I want and then go to the gym." And I've definitely been one of those people and it just doesn't give me the results that I need to have the physique of a ballerina.