I just have to remind myself that my daily quotidie in life has almost nothing to do with any aspect of my professional life as a public figure. And I think a lot of people get to that point - specifically, sort of getting comfortable looking out for yourself and taking care of yourself and defining yourself based on healthier criteria, and not criteria that's established by complete strangers that you've never met.

I'm a terrible cook, so I usually eat out with friends.

My interest in gospel music and liturgical art and Biblically-inspired literature has nothing to do with organised religion and everything to do with human beings trying to figure out their place on this planet.

Scotland is one of my favourite places to perform: it's really something special. Scottish audiences are just so enthusiastic; their approach to dance music just feels similar to my own somehow.

There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.

I would drink and drink and then at 3 o'clock in the morning take anything that was put in front of me. And I'd sometimes be disappointed when conventional things were put in front of me. Like, I'd do a line of something and be disappointed to find it was just cocaine.

I have no perspective as regards my work. One reason I put out records and books is people respond to it, and it enables you to actually see the work more clearly. It's a form of therapy for me. Sometimes abusive therapy.