I think that the current climate enables a lot of musicians to do relatively well. Twenty-five years ago, you could be a bass player in a folk-rock band and do pretty well - that sort of means that you're going to have to go get a day job. But a lot of my friends have learned how to write classical music for movies and produce other people and do remixes, and DJ and go on tour, and do all these different things. The more diverse their approach, the better their chances of actually having a career.

When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.

There are a lot of great animal rights organizations who save dogs and save cats, but the Humane Society is actually really good at working with Congress and getting legislation actually passed.

If we base our belief systems on the humble assumption that the complexities of the world are ontologically beyond our understanding, then maybe our belief systems will make more sense and end up causing less suffering.

If I spend 100 days in a row making music there’s a chance nothing will come of it. But if I spend 100 days not making music it’s guaranteed that nothing will come of it. So keep working.

It's enshrined in our Constitution that an individual has a right to release information and disseminate information that makes the powers that be uncomfortable.

When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.