I'm gonna have to start walking down the street and start hitting people in the head!

The good thing about working alone is I get a lot done and I can experiment more. The bad thing is I miss out on the gregarious, social way that most musicians work.

To paraphrase Paul from the New Testament, he has a great soliloquy about love, where he's basically saying, if I've figured out the secrets of the universe but I don't have love, figuring out the secrets of universe means nothing.

I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.

When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.

I think that, for a lot of us, the closer we get to showing people who we really are, that's where we feel the most uncomfortable, the most vulnerable. But it's also where the healthiest growth comes from. Like when I can really open myself up to someone and show someone who I really am, it's amazing when it happens.

I found it incredibly disheartening that in the late '90s, suddenly pop culture became even more misogynistic and more homophobic, and so I criticized Eminem for having lyrics that were egregiously homophobic and egregiously misogynistic.