Hence, when some members of the Iranian diaspora, especially women at the moment, use different tropes including the trope of the veil and the issue of gender to construct an image of oppression or to describe the 'silenced' Iranian woman, western intellectuals, policymakers, and publishing houses are all quick to introduce them as presenters of the authentic Iranian experience.
Mohammad MarandiThere is no need for historical research. The war didn't take place a thousand years ago. Over a million Iranians served at one time or another in the war fronts and most of them are living ordinary lives today and are available for interviews. These stories are largely unknown in Iran and when I tell them to my friends or students they usually laugh.
Mohammad MarandiAlso, as a result of the involvement of American foundations that have backing from the U.S. State Department in Iranian internal politics, cultural exchange and dialogue have become more and more problematic.
Mohammad MarandiIn my opinion, the continued popularity of these gross distortions of Iran in the U.S. seems to reveal more about certain aspects of America than about Iran. It seems that the popularity of these memoirs is largely due to the fact that, while claiming to do the opposite, they regularly reinforce the dominant representations of Iran in America by constructing an exotic, backward, and barbaric Iran principally based on U.S. archives.
Mohammad MarandiPost World War II America draws a great deal of interest, but the students also seem to know quite a bit about American exceptionalism and its historical roots.
Mohammad Marandi