Our focus is not on current politics, but students seem to be naturally drawn to this topic. This is understandable, when the U.S. is constantly trying to terrorize the nation with threats of war, students obviously take notice.

It is difficult for Iranian scholars and universities to retain their independence and to be seen as doing so, when cultural warfare is being carried out by some of their American partners. Indeed, such irresponsible behavior basically serves to intensify suspicion and in reality decreases the opportunity for real and meaningful dialogue.

It is ludicrous to believe that he meant nuclear weapons can be used. It is truly fearful to see how the mainstream media in the west can construct an adversary and that there are so few dissenting voices.

There is no need for historical research. The war didn't take place a thousand years ago. Over a million Iranians served at one time or another in the war fronts and most of them are living ordinary lives today and are available for interviews. These stories are largely unknown in Iran and when I tell them to my friends or students they usually laugh.

Hence, when some members of the Iranian diaspora, especially women at the moment, use different tropes including the trope of the veil and the issue of gender to construct an image of oppression or to describe the 'silenced' Iranian woman, western intellectuals, policymakers, and publishing houses are all quick to introduce them as presenters of the authentic Iranian experience.

President Ahmadinejad said that the Zionist state of Israel should no longer exist as a political entity. This has always been the policy of successive Iranian governments such as those of President Khatami and President Rafsanjani.

I think there is a general interest in films that deal with contemporary issues. Constructions of Iran, Islam, the Middle East as well as the U.S. itself are also of interest, it seems.