I think there is a general interest in films that deal with contemporary issues. Constructions of Iran, Islam, the Middle East as well as the U.S. itself are also of interest, it seems.

In general, Iranians believe that all Palestinians have the right to return home and that there is no chosen people on this earth, whether Jewish, Muslim, Christian. Iran had the same policy towards apartheid South Africa and at the time when it was supporting and funding the ANC [African National Congress] among other groups in South Africa, these groups were also considered to be terrorist organizations by many western governments.

Also, as a result of the involvement of American foundations that have backing from the U.S. State Department in Iranian internal politics, cultural exchange and dialogue have become more and more problematic.

Post World War II America draws a great deal of interest, but the students also seem to know quite a bit about American exceptionalism and its historical roots.

If one were to claim that the U.S. occupation forces in Iraq have been provided with "keys to heaven" by the Pentagon, would that need historical research to be disproved or would you just say, "That's just propaganda"? Indeed, how can you disprove the claim that U.S. soldiers have such keys? Or why should you disprove such ridiculous claims? It is the accusers who must provide the evidence.

There is no need for historical research. The war didn't take place a thousand years ago. Over a million Iranians served at one time or another in the war fronts and most of them are living ordinary lives today and are available for interviews. These stories are largely unknown in Iran and when I tell them to my friends or students they usually laugh.

However, unlike some of my friends and students, I don't think it's a laughing matter. I think it is frightening to see what outrageous stories can be told in the United States and then are accepted by many educated people and academics as facts. Movies get awards, books become best sellers, heroes are made, and people become wealthy as a result of dishonest caricatures of Iranian people and society.