I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.

Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we hear of Pakistan it's in that context.

My aunt used to say, "It's between me and my god; it's got nothing to do with you." It was a good enough answer for me as a snot-nosed college kid angling for a religious debate, and I still think it's a good way of putting it.

If we try to 'protect ourselves', our nation-states begin to look like prisons.

I think fiction allows you to inhabit new domains and it's you, the reader living in that domain for a few days that results in a deeper understanding as opposed to the novel proclaiming this is what it is right and this is what is wrong.

I don't want to be a Michael Moore-style artist, which is not to disparage Michael Moore. But he seems rather unsuccessful at winning people over who don't already agree with him.

I think that we live in a world - and this is something which living in Pakistan, perhaps, has taught me - and, you know, we live in a world where there is a constant feed from social media, the news, etc., of things that can scare us. And we become so anxious because human beings are meant - are designed to be sensitized to dangerous stuff.