If an American teenager were to come to Lahore, they'd have wildly different experiences depending on whom they met. They could party and get drunk and smoke hashish with some, while others would say, "Let's get some religious instruction."

When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something moves in to fill it. Writing books is like that. It's mostly about freeing up time, doing nothing, and in that time some writing starts to happen. We need to figure out how to maintain those voids.

We're being subject to incredible amounts of surveillance, the police are taking on draconian powers and violating our rights. I think this attempt to protect ourselves is ultimately going to founder because people don't like living inside prisons.

The ban on the burkini, which is basically a wetsuit, seems particularly ridiculous.

Only in novels can we take another human being into our head and create something jointly.

The paralysis that we have right now when we think about migration is partly because we can't imagine what the world would look like in the future. So I think it's important for writers and artists to try to imagine that.

For if there were a list of cosmic things that unite us, reader and writer, visible as it scrolled up into the distance, like the introduction to some epic science-fiction film, then shining brightly on that list would be the fact that we exist in a financial universe that is subject to massive gravitational pulls from states. States tug at us. States bend us. And, tirelessly, states seek to determine our orbits.