What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings - younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stone-masonry to look older.

I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.

Contemporary culture in Pakistan, just like in America, is continuously hitting us with scary stuff. And so we are utterly anxious. I think that it's very important to resist that anxiety, to think of ways of resisting the constant inflow of negative feelings, not to become depoliticized as a result but to actually work actively to bring into being an optimistic future.

The world seems concerned with Pakistan primarily as an actor in global attempts to combat terrorism.

I think that right now, the global political crisis that we see all over the place has to do with virulent nostalgia. Everywhere, people are talking about taking us back to the good old days. Whether that's the "caliphate," or Britain before the EU, or "Make America Great Again." But, we can't go back and many people wouldn't want to go back even if we could.

The anger is useful too because when things about the world upset you, that is really a fertile feeling to channel into fiction and to put out into books.

Why the brevity? Because I'd rather people read my book twice than only half-way through