All human stories are migration stories because everyone is a refugee from their own childhood.

The anger is useful too because when things about the world upset you, that is really a fertile feeling to channel into fiction and to put out into books.

You know, very often, if you look at the kinds of communications that they're getting in an ISIS recruiting video, the videos that, you know, that one hears of as radicalizing them, these are like action movies. And so in the sense, it's that by closing off the idea that young Muslims and particularly young Muslim men can be American heroes, it increases the chance that they'll try to be some other kind of hero. And that, I think, is entirely counterproductive.

Outside of America, there are many people, myself included, who champion values that, in some senses, could be thought of as traditionally American - the idea that everybody's equal, that the rights of women and men should be the same, that there should be no discrimination on religious or sexual orientation, that democracy and rule of law and due process are the ways in which society should govern themselves and minorities should be cared for.

As a child I read all kinds of stuff, whether it was 'Asterix and Obelix' and 'Tin Tin' comic books, or 'Lord of the Rings,' or Frank Herbert's sci-fi. Or 'The Wind in the Willows.' Or 'Charlotte's Web.'

Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.

Love is transient even on a very personal level. We lose everyone that we love. Sometimes we drift apart and sometimes we die.