There really still is a deep wound, you know, in the collective psyche of Pakistan. And the violence has left enormous human and emotional and psychic damage. That's not going to go away. But that said, I think I'm cautiously optimistic that we're looking at a better future.

My dad had this outlook: It doesn't matter what I want to read - reading was a good thing. So whatever I was curious about they'd get for me from the library. Books were a kind of a resistance to reality. I liked to imagine worlds that were different. I still do.

My mother has been to Mecca to perform her hajj; my dad hasn't. I come from a very liberal family, so even the people who are outwardly religious tend to subscribe to gender equality, the importance of open-mindedness, all that stuff. My family is generally nonprescriptive.

Time only moves in one direction. Remember that. Things always change.

India to someone who lives in Lahore is like Queens to someone who lives in Lower Manhattan - it's not far away, and yet it doesn't exist.

I think there's a natural link between the fact that our self is a story that we make up and that we're drawn to stories. It resonates, in a way.

In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.