Art is for the elite because it has a very high price-point of entry. And when one is in that social strata, they look down at illustrators because they just draw things directly for a few hundred dollars and that's seen as being a bit grubby. Galleries allow artists to stay relatively divorced from the financial aspects of their trade. I am lucky because I do fine art, and that is half of my living. And then illustration provides the other half.

I can't reasonably pretend to be a transparent and omniscient narrator who brings no personal perspective. That person doesn't exist.

I had difficulty being friends with women who hadn't worked in either the sex or beauty industries. I felt like other women sometimes overvalued beauty and sexuality, when in actuality, they're just parts of a job.

Innocence is always the state of being untouched. Sometimes it's synonymous with virginity, so sometimes it's quite literal, but sometimes it's more of a mental state of being untouched, of not having seen a lot of the world.

New York makes me swoony and in love. The New York of the 1880s was a place where black eye fixers did a brisk business and people were routinely killed for their shoes. But, the constant aspiration of the city never changes.

Different types of sex work are differently supportive. If I were working in a strip club, I would be competing with my colleagues, and while there would be support, there would be financial motivation not to offer too much support.

Art is for the elite because it has a very high price-point of entry. And when one is in that social strata, they look down at illustrators because they just draw things directly for a few hundred dollars and that's seen as being a bit grubby. Galleries allow artists to stay relatively divorced from the financial aspects of their trade. I am lucky because I do fine art, and that is half of my living. And then illustration provides the other half.