You really get a feeling, when you're reading scripts, pretty quickly. Within 20 or 25 pages, you can get a sense of the part. I always think about whether I'm right for it and whether I can do it. If I don't think I'm right for it, it should go to somebody else.

I think things get a lot better after high school. I think the ones that struggle during that time tend to have better experiences after.

I've got wonderful people I get to work with, and I'm trying to focus on that, instead of worrying about, Aw, who doesn't want to work with me? You focus on the ones who do.

The clothes, the shoes, the gold belts and the necklaces always click me into the character, for sure. You could not feel the character, and then you put on the shoes and get the walk.

I do make a conscious effort to not repeat old patterns, instead of being like, But they don't want me! I haven't always been that way.

In real life, I always look at people and how they walk, or how they carry themselves. I think about the body a lot, in performance.

I definitely have loads of respect for writers and the art of writing.