A scientist sounds like a scientist because the things that come out of their mouth don't stumble, that's all. If they [said], "And the, um, a microwave, uh," you know, then you don't sound right, but if you can just get it out without stumbling then you're going to sound fine.

You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.

It [love about acting] is all about role playing - the same thing you do when you're a kid, when you play with dolls or toys and make up stories. I never grew out of it.

It can have an enormous effect because big budget movies can have big budget perks, and small budget movies have no perks, but what is the driving force, of course, is the script, and your part in it.

So we say, oh, my goodness; we think we've found another Earth-like planet. We will start trying to figure out how to get there. And I have this strong belief that whatever we think we can do, whatever we can dream, we can do.

The bigger point here is that golf is a good metaphor for one's life. The challenge of golf for me is trying to learn new rules. It's something you always have to work at; you don't get perfect at golf. It's the never-ending quest for betterment.

My approach to acting is that I am totally intuitive. I read the script and I get it. If I don't get it, I can't do it.