I don't go into a movie with preconceived notions of where I want things to go.

The more we can be honest about ourselves as filmmakers, than the more we can be honest with people who see the films.

I think we had an incredible opportunity to capitalize on that right up to Libya. I think we've made a step toward something that might be a mistake. I personally believe Saddam Hussein and Ghadafi are not good guys by any judgement, and there are ways to deal with it beyond what we did. Once you decide to attack, it paints an ill-conceived picture.

You come downstairs, turn off the TV, and then and your son says, 'Daddy, I want to get that wrestling set, and all the pieces are sold separately.' The minute he quotes a commercial verbatim, that's when he's had enough TV.

Ultimately, if you want to make movies, you've got to want to make movies every day, when people are paying you to make movies and when they're not, because you're going to get a lot more no's on this business, no matter what it is, than you are going to get yeses.

My mother did an incredible job - one, of just being a great mom, but two, of instilling a tremendous amount of empathy into me as a young man, as a young person. My mom was kind of this collector of people; throughout my childhood, it didn't matter who you were. She was a high school counselor and then a junior high counselor, and she didn't just counsel students, she counseled other teachers and administrators and coaches.

People were always pointing the finger at the fast food industry. And I was a big fan of personal responsibility - you know, no one is forcing you to eat. We're not geese being stuffed with corn.