When I experience something or feel something, that's kind of transferred to the audience. There's a lot of great breakthrough moments that come out of that.

You come downstairs, turn off the TV, and then and your son says, 'Daddy, I want to get that wrestling set, and all the pieces are sold separately.' The minute he quotes a commercial verbatim, that's when he's had enough TV.

I think that there are certain guns that, of course, I don't know who needs a machine gun, personally. But I think rifles and things like that are fine. I think that in the wrong hand is when a gun becomes a problem.

Ultimately, if you want to make movies, you've got to want to make movies every day, when people are paying you to make movies and when they're not, because you're going to get a lot more no's on this business, no matter what it is, than you are going to get yeses.

Part of living is understanding where the fringes are. Once you know how far people go, you can say, "Well, here's how I choose to represent myself."

I think people need to see on both sides. Seeing how the people in the Palestinian Territories can't move around - it's a maze now, with the wall, the road blocks and everything else. It takes you hours to get from one person's house to your job or to a friend or even to the hospital if someone's hurt. Then you go into Israel and see in Tel Aviv, where they have 12-18 bomb threats a day, which are real. It completely disrupts their life. Or Sderot where bombs are falling daily from the sky fired by Hamas militants in the Gaza Strip.

"Mansome" was one of those projects where it was a great change to do something fun and look at the subject in an engaging way. My next film is not going to be about pedicures.