I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.

There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.

life becomes satire in real time, what good is the premiere satire magazine? It might as well just be the newspaper. You could pick up The Wall Street Journal and be like, "Oh, what a funny Onion headline!" And then the editor of The Onion is like, "Huh. I guess you won't be needing me anymore."

Richard Pryor had real sincere and vulnerable moments. Now it seems so cheesy if you stop your act and say, "This is why we have to help them kids. We've got to make sure them kids can read."

I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.

Oh, my other goal was that I wanted to talk about this area and this time in history. I wanted to talk about growing up in Oakland, a white kid, from this kind of generation of broken homes and listening to hip-hop.

So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.