When you start doing comedy, you think to yourself, "I want to be a headliner." And you become a headliner, and you're like, "Oh wait, this isn't what I meant. I meant I want to be a headliner that's famous enough that people come see me specifically." And that's a huge leap, because most of the time most of the audience is there to see comedy in general. They're not there to see you.
Moshe KasherWhen I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
Moshe KasherMy brother and I both like sarcastic, insulting comedy, so that's a way we communicate. Somehow that's what we learned. My mom is not a really sarcastic person. She's a really sort of overly loving person, and my brother and I came out little cynical bastards.
Moshe KasherWhen I first started comedy, me and my friends were kids. I claim - although I know that it's a spurious and probably untrue claim - that we were the first generation of kids to act black.
Moshe KasherI got a naughty thrill out of listening to music that was that dirty, especially being that young and able to listen to it around my parents. Kids would come over to my house to listen to Too $hort records.
Moshe Kasher