The frivolity with which all theatrical activity is conducted has one consoling feature-there are no rules of behavior that apply regularly to any part of the theatre.

I have had the irreplaceable opportunity of learning my profession with the proper tools, the most important of which is not a pencil or a typewriter, but the necessary time to think before using them.

I have had many successes and many failures in my life. My successes have always been for different reasons, but my failures have always been for the same reason: I said yes when I meant no.

A too constant preoccupation with money may seem to indicate the lack of a proper sense of moral values, but [let] those who have always had money . . . be without it for a while, and they will soon discover how quickly it becomes their chief concern.

Boredom is the keynote of poverty — of all its indignities, it is perhaps the hardest of all to live with — for where there is no money there is no change of any kind, not of scene or of routine. To be able to break out of its dark brown sameness.

I have always understood the unbelieving look in the eyes of those whom success touches early - it is a look half fearful, as though the dream were still in the process of being dreamed and to move or to speak would shatter it.

One of the grave dangers inherent in the various stages of any theatrical career-whether it be budding, quiescent or diminishing-is the advice of friends.