Art at its best draws attention not only to the way things are but also to the way things will be, when the earth is filled with the knowledge of G-D as the waters cover the sea. That remains a surprising hope, and perhaps it will be the artists who are best at conveying both the hope and the surprise.

The power of the gospel lies[...] in the powerful announcement that God is God, that Jesus is Lord, that the powers of evil have been defeated, that God's new world has begun.

We can glimpse it in the book of Acts: the method of the kingdom will match the message of the kingdom. The kingdom…goes out into the world vulnerable, suffering, praising, praying, misunderstood, misjudged, vindicated, celebrating: always – as Paul puts it in one of his letters – bearing in the body the dying of Jesus so that the life of Jesus may also be displayed.

I think future generations will say the late 20th century and the early 21st century was a time of great convulsions and upheavals.

My aim has been to expound Scripture and to expound Scripture in such a way that I do not set one Scripture over against another.

What we are seeing in America is the creaky old age of an eighteenth-century settlement, deemed at the time to be the new flowering of humankind-come-of-age (the 'Enlightenment') and so deemed to be above revision. At this point the urgent need is for prayer and prophecy.

We have traditionally thought of knowing in terms of subject and object and have struggled to attain objectivity by detaching our subjectivity. It can't be done, and one of the achievements of postmodernity is to demonstrate that. What we are called to, and what in the resurrection we are equipped for, is a knowing in which we are involved as subjects but as self-giving, not as self-seeking, subjects: in other words, a knowing that is a form of love.