It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.

The camera is as much a part of my everyday life as talking or eating or sex.

I think it's obscene that many people are starving to death from anorexia. It's been said many times, it's trite. But when so much evil is going on against, for example the Afghani people, where women are being so oppressed that a woman's body is a battlefield.

American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.

I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.

One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.

I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.