I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.

My work is mostly about memory. It is very important to me that everybody that I have been close to in my life I make photographs of them.

I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.

It's a hideous feeling to go round shopping and even feel like you are a freak.

The camera is as much a part of my everyday life as talking or eating or sex.

I was recently interviewed for radio in relation to the "Thanksgiving" show [2001] at the Saatchi gallery that I was part of. The interviewer said that people in London were very disturbed that I showed a picture of myself battered ("Nan One Month after Being Battered", 1984) and they thought that I set it up. I was accused of deliberately putting on a wig for that particular picture.

I start to paint my walls. And I'm heavily influenced by films.