I never, never photograph someone getting high to sell clothes. I was called, at some point, the person responsible for "heroin chic". I didn't have anything to do with "heroin chic".

It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.

[I want to] refuting the whole idea that there is only one way to look; that women have to be so skinny to look good; that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.

I also photographed Maggie Cheung - but these didn't develop into a friendship either.

I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.

One of the major things I really want to work on now is female rage because that's not dealt with at all - and I have a lot of it.

I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.