Stella McCartney is [my] big fan.

I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.

That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.

She has that kind of baby face, a very young face. So I was interested in working with Kate [Moss].

No place could be less sympathetic to my politics than America.

I never courted that but it's nice when it's people you respect and they respect your work. It's thrilling.

I think it killed my sister as the times she was living in were so conformist. This is a subject I really want to deal with. I want to start making films about female rage.