My writing arises out of erotic impulse toward an other: it is an act of love. And I want terribly to be loved in return, as a sign that I have loved well enough.

You don't have to want death in order to prepare for it.

Atlas Shrugged and The Fountainhead, doubtless two of the most exquisitely adolescent of fictions.

Poor and afflicted and oppressed people have faces, and we are required to look squarely into them. We can't love what we won't experience.

From the moment of birth, at every level, human beings who are more alike than different become polarized into two absolutely exclusive classes with very different and ill-distributed symbolic powers.

Through its prohibition on birth control, the Church has suggested that the only right way to have children is through biological reproduction: a kind of forced labor culminating in the production of another soul for God. What kind of a God stands like Lee Iacocca at the end of an assembly line, driving his workers with a greedy 'More! More!' while the automobiles pile up in showrooms and on freeways and in used-car lots and finally junkyards, his only satisfaction the gross production figures at the end of every quarter?

In a society that prates about, but seldom practices, communication, the craving to be listened to, heard, understood - which originates with the first terrified wail, the circling arms, the breast, the consolatory murmur - is hard to assuage.