It is foolish for people to think they can align themselves and be safe in a police state.

In the US, the 50s and 60s marked the documentary's golden age, especially at CBS, where pioneering televison journalist Edward R Murrow, immortalised in George Clooney's Good Night, and Good Luck, produced such landmark investigations as the CBS Reports programme Hunger in America.

Beauty provokes harassment, the law says, but it looks through men's eyes when deciding what provokes it.

As soon as a woman's primary social value could no longer be defined as the attainment of virtuous domesticity, the beauty myth redefined it as the attainment of virtuous beauty. It did so to substitute both a new consumer imperative and a new justification for economic unfairness in the workplace where the old ones had lost their hold over newly liberated women.

Millions of people have to restore liberty and have to understand the danger and personal risk they face in a police state.

Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles...In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma...The number of diet-related articles rose 70 percent from 1968 to 1972...The lucrative 'transfer of guilt' was resurrected just in time.

The surgeons' market is imaginary, since there is nothing wrong with women's faces or bodies that social change won't cure; so the surgeons depend for their income on warping female self-perception and multiplying female self-hatred.