I was less angry at [Carl] Armstrong, though I was angry at the people who came to his trial: Dan Ellsberg, who ordinarily I respected a lot; Philip Berrigan; the guy who teaches at Princeton still - I can't remember his name. And they were saying - well, they were saying, really, what Arthur Koestler had people saying on "Darkness at Noon." The means were unfortunate and, sadly, someone died, but the end is what is important and this was a great symbolic - something or other - sign against the war in Vietnam.

Martin Williams persistently gets at essences, and that is why he has contributed so much to the very small body of authentic jazz criticism.

We live in the village. We have a summer place in Westport, Connecticut. We don't spend a lot on all kinds of things. But I have no complaints.

Sandra Day O'Connor - once she said that there are - there were no public schools in America until the 18th century, and she overlooked my alma mater because we started - I say we - in 1635. And among the people who went there - and they're on - the walls in the auditorium, the names are: Ralph Waldo Emerson and Cotton Mather, Benjamin Franklin, except he split when he was 10 years old to go to work.

There are enough people who are starting to be actively involved that we can turn things around. And we need to encourage others to become involved.

[A.J. Muste] was very influenced - in - influential in the peace movement, in the civil rights movement.

The Voice has been politically correct in many of its aspects since before that term was ever used.