I was less angry at [Carl] Armstrong, though I was angry at the people who came to his trial: Dan Ellsberg, who ordinarily I respected a lot; Philip Berrigan; the guy who teaches at Princeton still - I can't remember his name. And they were saying - well, they were saying, really, what Arthur Koestler had people saying on "Darkness at Noon." The means were unfortunate and, sadly, someone died, but the end is what is important and this was a great symbolic - something or other - sign against the war in Vietnam.

Means and ends are central. If your means are corroded, your ends will be corroded. And if you're fighting to preserve liberty and you use means that eviscerate our liberties, the end will be corroded, too.

I was very much against the Vietnam War, and Max Askeli was visiting Lyndon Johnson in the White House cheering him on, writing editorials. And in The Voice one day I once referred to him as Commander Askeli. And I called in to The Reporter to go over the galleys of a music piece I had written, and the editor whispered to me, `It's not gonna run. You're not gonna run. Max Askeli has fired you because of what you said about him.'

Under the British healthcare system, there is a commission that decides whether or not, based on your age and physical condition, the government should continue to pay for your health.

This is a dishonest administration, because it is becoming clear that the unemployment statistics of the [Barack] Obama administration are not believable.

I was in the back of the book [in the The Reporter] doing music.

Being pro-life is an essential part of being a writer.