I was introduced to jazz, and that's become a basic concern and passion of mine ever since.

Tom [Hentoff] - it started when he was the editor of the paper at Wesleyan and the - members of the staff. This was the first wave of political correctness. The editors of the staff members came and said he must - he must, from now on, stop using `freshmen' and - in-as part of the policy of the paper. It had to be `freshperson.' Therefore, you don't - you're not discriminating against males or females. They were very fervent about that, and he was equally fervent about not politicizing language. So until he left, `freshmen' stayed.

When I first knew Bob Dylan, he lived in the Village. And for a man who, years after, would disdain publicity or any attempts at interviews, whenever I'd write something about him, he'd be on the street corner saying, `When's it going to run? When's it going to run?' But I must say that album that was - it was the second album he did, and though I've never been a fan of his guitar-playing, he did - I have to admit, he did catch the Zeitgeist of the time.

I really envy, in some respects, some of the people of faith I've known - A.J.[Muste], for example.

I have been in schools around the country, and I have written on education for years. Once, I was once doing a profile on Justice William Brennan and I was in his chambers, and Brennan asked, "How do we get the words of the Bill of Rights into the lives of the students?" Well, it is not difficult. You tell them stories.

The death panel issue arose with Tom Daschle, who was originally going to be the Health Czar. Daschle became enamored with the British system and wrote a book about health care, which influenced President [Barack] Obama.

I met [my wife Margot] on Fire Island when I had a house there many years ago.