The Tudors”) “I walked away thinking, well, if I don't get the job, it doesn't matter - I've kissed Jonathan Rhys Meyers!

I've been a member of some good gyms in the past. I love a good spinning class; I love a good aerobics class.

You're watching us and you don't realize how much makeup and how much lighting is involved when we look good. We have a lot of help where we are. I don't think that it's healthy for young girls to be looking at these beauty magazines and watching TV and these shows and thinking [that's the standard]… there's more European attitude - you look at French film, Spanish film, they're a little more open to quirks and human nature. That we're not all symmetrical, not all the same shape… we need more of that.

I'm a quasi-only child. With my brother and sister, I've more of a tendency to be semi-maternal. So, yes, I spent a lot of time talking to myself - I had this big dressing-up box and would just dress up as lots of characters and talk back to myself... Verging on schizophrenia, I suppose, if you analyse it carefully.

It's a writer's or director's role to be cerebral, whereas for an actor it should be a visceral, gut thing. When the action starts, it's best to turn the brain off and let it become an instinctual thing.

You don't want the white men to be written in a three-dimensional way but the black men, not. I mean, it's just about [how] scripts should always reflect real human beings. So that's what I look for.

Ive got a soft spot for really cheesy 1980s ballads by Pat Benatar and Foreigner. When I'm having my make-up put on at 6am and I need to be warmed up gently, it's always Ella Fitzgerald or Nina Simone.