I started writing it six and a half years ago, so the landscape has changed a lot in that time.

I was frequently told at drama school that I was thinking too much.

It's a writer's or director's role to be cerebral, whereas for an actor it should be a visceral, gut thing. When the action starts, it's best to turn the brain off and let it become an instinctual thing.

The Tudors”) “I walked away thinking, well, if I don't get the job, it doesn't matter - I've kissed Jonathan Rhys Meyers!

I run; that's sort of my meditation. I've been to therapy in the past when I've had crisis moments in my life; I think it's very healthy. I think that's even a more acceptable attitude in America actually than it is probably back at home [in England].

It's wrong - everyone's concentrating on the wrong thing. There's 130 million people in crisis in this world at the moment, in humanitarian crisis, and most of them are women, more than half of them are women. So can we all stop slinging mud at each other about definition?

There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.