Ive got a soft spot for really cheesy 1980s ballads by Pat Benatar and Foreigner. When I'm having my make-up put on at 6am and I need to be warmed up gently, it's always Ella Fitzgerald or Nina Simone.

Famously, Anne Boleyn was not a beauty: she was more about quirkiness and an innate sensuality, and there are a lot of references to her eyes. Which sends out a great message for women, because life is not about the aesthetic all the time.

I think that's the most dangerous kind of sexism: People don't realize it's there and we end up surreptitiously accepting it because it's just part of our culture. I've never experienced explicit, overt, confrontational sexism personally.

That's part of what I touch on in my [UN] speech - when assaults happen on women and girls in these fragile countries, in these places of crisis, there isn't the psychosocial support. There aren't counseling services. It's not in a lot of cultures to explicitly talk about things that maybe have happened to the body. So, repression of emotion, and shame, and guilt is something that really needs to be handled in humanitarian crises.

I was frequently told at drama school that I was thinking too much.

I'm a quasi-only child. With my brother and sister, I've more of a tendency to be semi-maternal. So, yes, I spent a lot of time talking to myself - I had this big dressing-up box and would just dress up as lots of characters and talk back to myself... Verging on schizophrenia, I suppose, if you analyse it carefully.

There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.