I'm a quasi-only child. With my brother and sister, I've more of a tendency to be semi-maternal. So, yes, I spent a lot of time talking to myself - I had this big dressing-up box and would just dress up as lots of characters and talk back to myself... Verging on schizophrenia, I suppose, if you analyse it carefully.

You're watching us and you don't realize how much makeup and how much lighting is involved when we look good. We have a lot of help where we are. I don't think that it's healthy for young girls to be looking at these beauty magazines and watching TV and these shows and thinking [that's the standard]… there's more European attitude - you look at French film, Spanish film, they're a little more open to quirks and human nature. That we're not all symmetrical, not all the same shape… we need more of that.

I think that's the most dangerous kind of sexism: People don't realize it's there and we end up surreptitiously accepting it because it's just part of our culture. I've never experienced explicit, overt, confrontational sexism personally.

There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.

I think the beauty of the writing of 'Game of Thrones' is not that the characters are fearless; it's how they overcome their fear, you know?

There's been a sort of mini-revolution, an uprising, as was long overdue, about these subject matters: ethnicity and gender equality.

When a show communicates on such a vast level internationally, you know, and philosophizes about power, gender politics, and crimes against humanity, which Game of Thrones deals with all those things, then I'm just grateful that it reinstates my faith that art can be life applicable.