I buy the odd book. There's a great book out at the moment called Ego Is the Enemy.

I had a period of unemployment for about nine months after my first big break, and it's the greatest lesson I ever could have learned, never to believe you're home and dry.

I think that's the most dangerous kind of sexism: People don't realize it's there and we end up surreptitiously accepting it because it's just part of our culture. I've never experienced explicit, overt, confrontational sexism personally.

I'm a quasi-only child. With my brother and sister, I've more of a tendency to be semi-maternal. So, yes, I spent a lot of time talking to myself - I had this big dressing-up box and would just dress up as lots of characters and talk back to myself... Verging on schizophrenia, I suppose, if you analyse it carefully.

I was a daydreamer as a kid. I want to act because of whatever artistic bone is in my body. I want to explore what it is to be alive. I just want to make good sh-t.

I started writing In Darkness out of a frustration of the quality of roles that I was reading in scripts for women.

I run; that's sort of my meditation. I've been to therapy in the past when I've had crisis moments in my life; I think it's very healthy. I think that's even a more acceptable attitude in America actually than it is probably back at home [in England].