I have some really, really good friends, to whom I'm very close, that I'm not revealing anything to, and that's really hard.

I've actually done a lot of comedy.

Before I read the script [The Following], I saw the schedule, and imagine how confusing that was. I thought it was intriguing. I'm an actress. Even if it's, by proxy, all about me, I'm all for it. It was all about me, but I didn't have to show up, so it was great.

I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.

What's great about New York is that there are a lot of theater actors and actresses, who are trained actors, that they bring onto the show. They're so talented, in such a weird, quirky and ominous way. And it's great to be able to work with new faces, too.

There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.

I don't dig ditches for a living, so I don't really hate going to work. I chose this for a reason. I would much prefer to be over-worked than under-worked.