I really am not a weakling. We like to do a lot of takes, so it ends up being pretty physically grueling.

I have some really, really good friends, to whom I'm very close, that I'm not revealing anything to, and that's really hard.

I'm at my best when I'm working. Breaks are not great for me. I get frustrated sometimes, if I have a long break and somebody says, "Oh, that must be nice!"

Before I read the script [The Following], I saw the schedule, and imagine how confusing that was. I thought it was intriguing. I'm an actress. Even if it's, by proxy, all about me, I'm all for it. It was all about me, but I didn't have to show up, so it was great.

I don't dig ditches for a living, so I don't really hate going to work. I chose this for a reason. I would much prefer to be over-worked than under-worked.

I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.

There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.