I don't dig ditches for a living, so I don't really hate going to work. I chose this for a reason. I would much prefer to be over-worked than under-worked.

I have some really, really good friends, to whom I'm very close, that I'm not revealing anything to, and that's really hard.

Before I read the script [The Following], I saw the schedule, and imagine how confusing that was. I thought it was intriguing. I'm an actress. Even if it's, by proxy, all about me, I'm all for it. It was all about me, but I didn't have to show up, so it was great.

I don't dig ditches for a living, so I don't really hate going to work. I chose this for a reason. I would much prefer to be over-worked than under-worked.

I think, especially when you're on TV, once you become associated with one genre or the other, it's near impossible to break into the other one, even if you have experience with both.

I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.

I'm at my best when I'm working. Breaks are not great for me. I get frustrated sometimes, if I have a long break and somebody says, "Oh, that must be nice!"