Your trade becomes very much impacted by the quality of your life experiences and your capacity to process them.

It's not easy trying to navigate your internal world in the public eye.

I'm not to be confused with Natasha Henstridge in 'Species,' where I just emerge out of the weird alien womb looking amazing. I really rely heavily on my black outfits and my gold chains to give me sort of a thing.

As wild as I was, when the cops show up, and suddenly you're being handcuffed, it's so deeply shocking and terrifying, the loss of freedom.

The world at large doesn't always make sense to me, and there are safe havens. Linda Manz in 'Out of the Blue' is one of them.

Your trade becomes very much impacted by the quality of your life experiences and your capacity to process them.

I have a theory that self-made, first-generation actresses don't feel entitled to success.