It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff, writing and making movies and TV, but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.

I've kind of learned this about Joss Whedon. Never say never. I've learned that. I also have another rule about Joss Whedon. Never say no. Just... whatever Joss Whedon wants to do, just do it.

There are people who have energy that say don't come near me, don't get too close. There's people like Adrienne Shelley who have the energy of come over here and give me a hug and if you're around me you're going to be happy about it.

No one wants to see a person on TV who's super-ultra-cool. That's Superman, that's a thing of the past. Heroes are now flawed, and have terrible tempers, you know? They're real people.

I'll never look down on and I love running into actors who say 'Oh yeah, I did a soap.' I say 'Tell me which one!' It's like being a member of a secret society.

I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.

I tried my hand at writing, I tried to write out a little script - and it's not too bad. Mostly, though, it let me understand how incredibly difficult that job is. I can't even imagine doing it on a weekly basis for a series in any way. That's tough. I think I'll try to leave that to smarter people than me.