I've always noticed a difference between working with a director and working with a writer/director. In how much they're invested and how specific they are.

I had an Indiana Jones fedora that I loved. I don't know what happened to it. I don't know where it went. Wish I had it back. Whoever's got it, you suck.

I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I had no money.

The trick is, when you grow up, find work that feels like play.

I slowly came to realize that this job of being an actor, you spend most of your time looking for work. That is your job. Your job is auditioning. You spend very little of your time actually working.

I think people imagine that I have about five scripts sitting in front of me and I say, 'I think I'm going to go with the super hero thing and after that I'll wrap it up with some more sci-fi and then do a romantic comedy.' But it doesn't quite work out that way.

My job changes very little because I've found that the more you try to be funny, the less funny you become.