People keep inviting me back. It's nice to work with the same people when you've had a good time previously, and this is one of those cases.

I think people imagine that I have about five scripts sitting in front of me and I say, 'I think I'm going to go with the super hero thing and after that I'll wrap it up with some more sci-fi and then do a romantic comedy.' But it doesn't quite work out that way.

I want my job to include a little adventure, a little more of a heightened reality than what I'm actually living.

It costs nothing to say something kind. Even less to shut up altogether.

I'm comfortable only when there's a mutual attraction. That's what anyone wants. If I find out she's not attracted to me, it brings down my level of attraction to her. If I'm interested and find out she's not, I tend to cool off.

In all my characters, I try to find an iota of myself, and in Castle, I found a lot. He gets away with a lot, so that's fun.

I've always noticed a difference between working with a director and working with a writer/director. In how much they're invested and how specific they are.