I think visual literacy and media literacy is not without value, but I think plain old-fashioned text literacy and mathematical literacy are much more powerful and flexible ways to organize your mind.

So a lot of what you see in the Baroque Cycle is me wanting to be one of those guys. In the case of Anathem, I needed something that was more formal, less flashy, as if it had been translated from the classical language of another planet, but enlivened with slang terms that a teenage narrator would enjoy throwing around.

Ask a Soviet engineer to design a pair of shoes and he'll come up with something that looks like the boxes that the shoes came in; ask him to make something that will massacre Germans, and he turns into Thomas "Fscking" Edison.

That to me is the basic message of events like the rise of Nazism, the Salem witch trials, and so on: not that bad people do bad things, but that good people do bad things.

It is commonly the case with technologies that you can get the best insight about how they work by watching them fail.

Hiro is a talented drifter. This is the kind of lifestyle that sounded romantic to him as recently as five years ago. But in the bleak light of full adulthood, which is to one's early twenties as Sunday morning is to Saturday night, he can clearly see what it really amounts to: He's broke and unemployed.

Lawrence immediately saw that it was a trick question. You would have to be some kind of idiot to make the facile assumption that the current would add or subtract 5 miles per hour to or from the speed of the boat.