Interesting things happen along borders - transitions - not in the middle where everything is the same.

I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about.

The best way to know someone is to have a conversation with them.

"Sorry," she said, "I got out as fast as I could, but I had to stay and socialize. Protocol, you know." "Explain protocol," Nell said. This was how she always talked to the Primer. "At the place we’re going, you need to watch your manners. Don’t say 'explain this' or 'explain that.'" "Would it impose on your time unduly to provide me with a concise explanation of the term protocol?" Nell said. Again Rita made that nervous laugh and looked at Nell with an expression that looked like poorly concealed alarm.

I always tend to assume there's an infinite amount of money out there." There might as well be, "Arsibalt said, "but most of it gets spent on pornography, sugar water and bombs. There is only so much that can be scraped together for particle accelerators.

But they had, perversely, been living among people who were peering into the wrong end of the telescope, or something, and who had convinced themselves that the opposite was true - that the world had once been a splendid, orderly place...and that everything had been slowly, relentlessly falling apart ever since.

Most of the brain's work is done while the brain's owner is ostensibly thinking about something else, so sometimes you have to deliberately find something else to think and talk about.