Crappy old OSes have value in the basically negative sense that changing to new ones makes us wish we'd never been born.
Neal StephensonWhen I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly.
Neal StephensonWhat writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.
Neal StephensonThe mind knows...that there is an action principle that governs how the world evolves from one moment to the next - that restricts our world's path to points that tell an internally consistent story.
Neal StephensonAny property that's open to common use gets destroyed. Because everyone has incentive to use it to the max, but no one has incentive to maintain it.
Neal StephensonI was trying to run something to ground that had come to my attention when I was working on the Baroque Cycle. That series, of course, was about the conflict between Newton and Leibniz. Leibniz developed a system of metaphysics called monadology, which looked pretty weird at the time and was promptly buried by Newtonian-style physics.
Neal Stephenson