So a lot of what you see in the Baroque Cycle is me wanting to be one of those guys. In the case of Anathem, I needed something that was more formal, less flashy, as if it had been translated from the classical language of another planet, but enlivened with slang terms that a teenage narrator would enjoy throwing around.

Let's set the existence-of-God issue aside for a later volume, and just stipulate that in some way, self-replicating organisms came into existence on this planet and immediately began trying to get rid of each other, either by spamming their environments with rough copies of themselves, or by more direct means which hardly need to be belabored. Most of them failed, and their genetic legacy was erased from the universe forever, but a few found some way to survive and to propagate.

Even the best of us have certain psychological mechanisms that can suddenly kick in and turn us into monsters. That to me is the basic message of events like the rise of Nazism, the Salem witch trials, and so on: not that bad people do bad things, but that good people do bad things. It's distressingly easy for those mechanisms to be triggered, either consciously by demagogues, or naively by people who think they're trying to do the right thing. Which is why I think it's more akin to tic-tac-toe.

Southern California doesn't know whether to bustle or just strangle itself on the spot.

Middle class prosperity is lapidary; the flow of cash rounds and smooths a person like water does riverbed stones.

The hour of noon has passed,' said Judge Fang. 'Let us go and get some Kentucky Fried Chicken.

I was trying to run something to ground that had come to my attention when I was working on the Baroque Cycle. That series, of course, was about the conflict between Newton and Leibniz. Leibniz developed a system of metaphysics called monadology, which looked pretty weird at the time and was promptly buried by Newtonian-style physics.