It is commonly the case with technologies that you can get the best insight about how they work by watching them fail.

Enoch...why are you here? Why has my spirit been incarnated into a physical bodi in this world generally? Or specifically, why am I here in a Swedish forest, standing on the wreck of a mysterious German rocket plane while a homosexual German sobs over the cremated remains of his Italian lover?

I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about.

To condense fact from the vapor of nuance.

What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.

I feel that I am entitled to trample all other considerations into the dirt in my pursuit of a satisfying pun.

Most Kabbalists were theorists who were interested only in pure meditation. But there were so-called 'practical Kabbalists' who tried to apply the power of the Kabbalah in everyday life.