Leibniz is at the disadvantage of not having seen it. Or perhaps we should count this as an advantage, for anyone who sees it is dumbfounded by the brilliance of the geometry, and it is difficult to criticize a man’s work when you are down on your knees shielding your eyes.

So a lot of what you see in the Baroque Cycle is me wanting to be one of those guys. In the case of Anathem, I needed something that was more formal, less flashy, as if it had been translated from the classical language of another planet, but enlivened with slang terms that a teenage narrator would enjoy throwing around.

Having a persistent nature is part of being human. Otherwise we wouldn't be able to speak of knowing another person, or loving them, or being their friend or enemy or rival.

[Regarding] the soul, I'm a little wary of any discourse on that topic that pretends to have an answer, so I tend to keep my musings to myself. There is interesting, legitimate metaphysical work on the topic going at least as far back as Leibniz and continuing today, following the theme that consciousness, or at least computation, might be at least as fundamental as phenomena such as space, time, energy, and matter, which are the usual subject matter of physics. I follow that sort of thing with interest but with very modest expectations that answers will be arrived at during my lifetime.

This made him a grad student, and grad students existed not to learn things but to relieve the tenured faculty members of tiresome burdens such as educating people and doing research.

Hiro watches the large, radioactive, spear-throwing killer drug lord ride his motorcycle into Chinatown. Which is the same as riding it into China, as far as chasing him down is concerned.

Arguing with anonymous strangers on the Internet is a sucker's game because they almost always turn out to be — or to be indistinguishable from — self-righteous sixteen-year-olds possessing infinite amounts of free time.