I read 'The Good Soldier' by Ford Madox Ford again every so often.

I love sentences. I love characters. But most of all, perhaps, I love to work on plot, and that may be where my natural gifts lie, if I have any. I like to think hard about plots in TV shows and films.

Mystery, investigation, false leads, solution - we associate that structure with genre fiction, but it exists in our real lives, too. There's no reason why literary fiction shouldn't be able to acknowledge that and make it fresh.

I'm reasonably good at talking onstage, but actually holding court in a pub is all to do with power dynamics which I don't think has anything to do with fiction.

I always save a huge book for a flight, because then you read it at both airports and on the plane and by the time you get home you're a quarter of the way through and it doesn't feel so unmanageable any more.

There are probably a couple of things I'd never write about until everyone I know is dead. And then there's other stuff which nobody would want to read a book about anyway.

Until I was 16, I read nothing but science fiction. I loved William Gibson and I still do. But my favourite book when I was growing up, for a long time, was 'Snow Crash' by Neal Stephenson, which I must have read about a dozen times when I was a teenager.