But standing in that hallway, it was all coming back to me. Memories were waiting at the edges of things, beckoning to me.

I love mythic stuff. I love playing with gods, I love playing with myths. A lot of it has to do with that they're the basic places stories come from. They're the clay that you make the bricks out of.

Goodnight world. While I sleep, I hope you'll all continue to do whatever it is you do. Unless you murder sleeping authors. Don't do that.

The cat looked as if it were about to say something sarcastic. Then it flicked its whiskers and said, "Challenge her. There's no guarantee she'll play fair, but her kind of thing loves games and challenges.

Shadow looked down at the girl on the table. “What happened to her?” he asked. “Poor taste in boyfriends,” said Jacquel. “It’s not always fatal.

She seems so cool, so focused, so quiet, yet her eyes remain fixed upon the horizon. You think you know all there is to know about her immediately upon meeting her, but everything you think you know is wrong. Passion flows through her like a river of blood. She only looked away for a moment, and the mask slipped, and you fell. All your tomorrows start here.

There are characters in some short stories who exist as people, and there are other characters in different short stories who exist as purely literary constructs. You know, the young man in "Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire" - I probably got that right - is a literary construct, and enjoys being a literary construct. He has no life off stage, whereas the young men in "How to Talk to Girls at Parties" were as near to being real human beings as I could possibly get them.