I wondered how I looked to her, in that place, and knew that even in a place that was nothing but knowledge that was the one thing I could not know. That if I look inward I would see only infinite mirrors staring into myself for eternity.

I suspect that most authors don't really want criticism, not even constructive criticism. They want straight-out, unabashed, unashamed, fulsome, informed, naked praise, arriving by the shipload every fifteen minutes or so.

Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.

It was a dream, and in dreams you have no choices: either there are no decisions to be made, or they were made for you long before ever the dream began.

I wondered if that was true: if they were all really children wrapped up in adult bodies, like children's books hidden in the middle of dull, long adult books, the kind with no pictures or conversations.

So that's my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody's ever made before. Don't freeze, don't stop, don't worry that it isn't good enough, or it isn't perfect, whatever it is: art, or love, or work or family or life.

Anything that keeps you happy and writing is part of my writing ritual: I like music, so I tend to have it playing in the background. But if I'm interested, I can write in an airport waiting areas.